I love going to the workshops hosted by Photographers Adventure Club. These shots are from the most recent Happy Hour Shoot at Parkwood Studios. I’ve never been confident setting up lights in the studio because it requires a high level of accuracy. Lighting, according to many photographers, is the most important element to good photography. So you can imagine why I’ve found it a bit stressful. I really appreciate how PAC sets up the lights and backdrop. Even though I’m not a part of the process, I still learn a lot from watching. The models PAC brings to these workshops are also really good. Since most of my work is the realm of photojournalism, I’m not used to coming up with poses on the spot. Every model I’ve photographed through these workshops has been amazing at coming up with poses. I imagine it’s tough trying to come up with different ideas, but they never cease to amaze me. I’ve actually learned the most from models when it comes to poses because they already know what works and doesn’t work for them.
I’m sure I have mentioned this before in an earlier post, but, as a photographer, I always like challenging myself. I’ve photographed animals before, but not very often. Photographing animals, particularly wildlife, is a whole genre and style of photography in itself. When I visited Alaska, I took a workshop where we learned effective tools for photographing landscapes and wildlife. At one point, the teacher showed us a photo that he had taken of a newly born eagle. He said that it took him 4 years to get that photo. It takes an incredible amount of patience and a bit of luck to get those kinds of photographs. I don’t see myself backpacking through the woods with a heavy duty telephoto lens anytime soon, but that doesn’t mean I won’t try to photograph animals when I can. Growing up, I lived in a neighborhood where people had horse property. I love horses and so I asked Chester’s owner if I could photograph her horse. Chester, the beautiful auburn horse, was easy going, but also very shy. He liked to stay close to his girlfriend, Velvet. I kept my goals for this shoot very simple because the space I was sharing with the horse […]
A lot of what I’ve learned about photography came as a result of photographing other people’s art. The nice thing about photographing art is that it can’t talk back to you. If you have to fidget with the lighting or the camera settings, the art is not going anywhere. That’s the nice part. The hard part about photographing art is that involves some interpretation and a lot of precision. For example, sculptures can be photographed from a multitude of angles, and, even the slightest change in the angle makes a huge difference. The face, for example, can look completely different depending on if I shoot at eye level versus slightly below eye level. A lot of the times, unless the artist is specific in how they want the art photographed, I look at the shape of the face. Just like with people, sculptures have a “good side.” Another issue to contend with when photographing art is color accuracy. It’s never going to be 100%, but you can get it really close. Lighting has a lot to do with the color, but a lot of the times the color is further corrected in Lightroom or Photoshop. Color accuracy can be pretty tricky because sometimes […]
I was really glad that I took the time this spring to go on some hikes and take road trips. I realize we got a lot of rain this past winter, but it was still shocking to see so much green and wild flowers on the trails. Unfortunately, my lenses are more for portraiture, so I wasn’t able to show the great expanse of greenery and desert, but I still had a lot of fun. These excursions gave me a greater appreciation for the desert.
Alanna is a model who I interviewed for my tattoo book. Here’s a snippet from that interview: What’s your favorite part about modeling? Everything I think. I get so excited from the moment we decide what the shoot is going to be like to what I’m going to wear and then the final product. And then I love sharing it with everybody. I think that’s why it’s become my passion and why I want it to be my career because there isn’t one thing I don’t like about it. I feel like I could go hours and hours and not tire from it. It’s just such a creative process. Because of your tattoos, do you model in a particular genre that is geared towards tattoos? No. I think I get away with a lot more loosey goosey with the genre because I fit so tightly into plus size, and they’re very open about what you look like. They want you to be trendy and spunky. So that’s the first thing they notice about me. They don’t necessarily notice the tattoos. It’s just like a cherry on top for them. I haven’t been forced to do one style.
I’m naturally a really shy person, but I’m also very curious. Photography has afforded me opportunities to learn about people, various cultures, and different perspectives. As I come to the end of my book, I’m revisiting some of the earlier shoots, when I didn’t know for sure how this project would evolve. I’m so grateful and honored to have met some incredible people through this portrait series. It’s easy to think that we’re all so different that we feel we can’t connect. If anything, this project taught me that no matter how different our lives may be, there’s is always a place to connect with people. We just have to take the time and listen. The black and white photo is from the very first shoot for my book. Angela taught me a lot about what it’s like being a tattooed woman in today’s world. I have been lucky to have worked with Angela on many shoots, and I’m very honored to have her in my book.
I found these remains in my backyard. I don’t usually experiment too much with black and white photography, but I felt like these skeletons looked better with that effect. Now I understand why I see so many owls and golden eagles in my backyard. Apparently there’s been quite the buffet in my backyard.
Finding cool spots to photograph takes time, and I’m always grateful when photographers share information on new places to photograph. There’s something about junkyards and abandoned places that both terrify and fascinate me. There were so many things to photograph. The possibilities seemed endless. By the way, the entire time I was shooting, I kept thinking of the junkyard scene in “The Brave Little Toaster.”
You might think that as a photographer I get behind the camera every day, but there are many days where I’m just sitting in front of the computer editing, writing, or scheduling shoots. Last year I heard about the Photo A Day challenge and for about month I tried it out until I got caught up with life. This year I joined a Facebook group where photographers are invited to post their daily photos. It sounds easy enough, right? Some of us have a closer bond with our devices than with humans. However, there are days where I’ve completely forgotten or just didn’t feel inspired to take a picture. When I saw this challenge on Facebook, I decided to give it another try. I started the challenge on New Years Day (naturally), and I’ve learned a few things about myself as a photographer. I’m very hard on myself with everything I do. Some self criticism is helpful, but too much pressure, for me at least, leads to stagnation. This challenge is forcing me to let go of some of that pressure and allow myself the freedom to try new things and even make mistakes. Sometimes I get frustrated because I’ll be stuck behind […]