I’m naturally a really shy person, but I’m also very curious. Photography has afforded me opportunities to learn about people, various cultures, and different perspectives. As I come to the end of my book, I’m revisiting some of the earlier shoots, when I didn’t know for sure how this project would evolve. I’m so grateful and honored to have met some incredible people through this portrait series. It’s easy to think that we’re all so different that we feel we can’t connect. If anything, this project taught me that no matter how different our lives may be, there’s is always a place to connect with people. We just have to take the time and listen. The black and white photo is from the very first shoot for my book. Angela taught me a lot about what it’s like being a tattooed woman in today’s world. I have been lucky to have worked with Angela on many shoots, and I’m very honored to have her in my book.
About a month ago I had a fashion/senior portrait photo shoot with a very sweet girl named Alex. She’s a senior in high school and an aspiring model. Based on her look and the fact we were trying to get some fashion as well as senior portrait shots, I chose the Riparian Preserve for our location. This location is wonderful for photographers because there are so many scenic spots. I’ve done three photo shoots so far at the Riparian Preserve, but you wouldn’t know that all three shoots were done at the same location. The other reason I like this area is because, even when it gets busy, you can almost always find a quiet area. I had a lot of fun at this shoot. One of the reasons that I enjoy outdoor and concert photography is that I don’t have to set up lights. That’s not to say that I don’t encounter lighting issues outside or at concerts, but I resolve those challenges by either changing camera settings or, in this particular case, moving. Alex loved her photos and I’m really glad that I was able to help her build her portfolio with a couple of more natural looking […]
I’ve reached a point in my photography where I actually need a physical portfolio. Most portfolios, I have read, include anywhere between 12 to 24 images. Even though I have shot countless photos, I found the process of selecting images to be quite painful, and that’s not because I’m in love with all of my photos. Unfortunately, I’m one of those people who can pick myself apart to the point of tears. I’m extremely self critical. A little self-critiquing is good, but I happen to be a zealot. In the end I had a couple people I trust give me their suggestions as to which images they think I should include. Sometimes when I’m too close to a project I ask others for their opinion. Oftentimes, they see things I haven’t picked up on because I’m too distracted with the technical aspects of the photo. Building my portfolio taught me that I need to appreciate the journey just as much as the final result.