Themes

I enjoy all my shoots, but I particularly had fun with this one. When I first mentioned doing a photo series for the 7 Deadly Sins, a lot of people told they thought it was over done. In some ways they’re right, but I thought it would be an interesting challenge to see if I could come up with my own interpretation, despite the fact so many people have put their own stamp on this theme. This photoshoot was Gluttony, which involves an excess of food usually. I got the inspiration for this shoot from an old Gwen Stefani video called “Luxurious.” There’s a scene where Stefani is lying on colorfully wrapped candy. I loved the colors and the concept, and so I adapted it to my shoot. I certainly did get weird looks at the store when I picked up bags and bags of candy. Though I bought quite a lot, it still wasn’t enough. During the shoot, I made sure to arrange the candy so that I would be able to go back into Photoshop and clone the candy so that the entire background would be covered. The editing was a little more difficult than I thought it […]

Cathy Rankin

I have had the pleasure of working with Cathy on a few shoots. This shot was taken during a shoot where we were trying to get as many different looks in one session. In just a few hours and using only natural light, we were able to get many different looks. Being resourceful is an important skill as a photographer. I chose to shoot at my parent’s house because their backyard has interesting walls and lots of greenery, which is rare in Phoenix. Overall, the shoot was a success and we both had a lot of fun.

Happy Hour at Parkwood Photography Studios

   I love going to the workshops hosted by Photographers Adventure Club. These shots are from the most recent Happy Hour Shoot at Parkwood Studios. I’ve never been confident setting up lights in the studio because it requires a high level of accuracy. Lighting, according to many photographers, is the most important element to good photography. So you can imagine why I’ve found it a bit stressful. I really appreciate how PAC sets up the lights and backdrop. Even though I’m not a part of the process, I still learn a lot from watching. The models PAC brings to these workshops are also really good. Since most of my work is the realm of photojournalism, I’m not used to coming up with poses on the spot. Every model I’ve photographed through these workshops has been amazing at coming up with poses. I imagine it’s tough trying to come up with different ideas, but they never cease to amaze me. I’ve actually learned the most from models when it comes to poses because they already know what works and doesn’t work for them.

Tattoo Stories: Alanna

Alanna is a model who I interviewed for my tattoo book. Here’s a snippet from that interview: What’s your favorite part about modeling? Everything I think. I get so excited from the moment we decide what the shoot is going to be like to what I’m going to wear and then the final product. And then I love sharing it with everybody. I think that’s why it’s become my passion and why I want it to be my career because there isn’t one thing I don’t like about it. I feel like I could go hours and hours and not tire from it. It’s just such a creative process. Because of your tattoos, do you model in a particular genre that is geared towards tattoos? No. I think I get away with a lot more loosey goosey with the genre because I fit so tightly into plus size, and they’re very open about what you look like. They want you to be trendy and spunky. So that’s the first thing they notice about me. They don’t necessarily notice the tattoos. It’s just like a cherry on top for them. I haven’t been forced to do one style.

Body of Art

  I’m naturally a really shy person, but I’m also very curious. Photography has afforded me opportunities to learn about people, various cultures, and different perspectives. As I come to the end of my book, I’m revisiting some of the earlier shoots, when I didn’t know for sure how this project would evolve. I’m so grateful and honored to have met some incredible people through this portrait series. It’s easy to think that we’re all so different that we feel we can’t connect. If anything, this project taught me that no matter how different our lives may be, there’s is always a place to connect with people. We just have to take the time and listen. The black and white photo is from the very first shoot for my book. Angela taught me a lot about what it’s like being a tattooed woman in today’s world. I have been lucky to have worked with Angela on many shoots, and I’m very honored to have her in my book.

Photo”shopping”

I’m one of those people who enjoys playing in Photoshop almost as much as I like photography. Most of the time, I use Photoshop to correct colors or correct “flaws” that don’t add to the image. However, there are times when I use the software to create a particular look. Let me be clear, I’m not done with this image, but I wanted to demonstrate how I sometimes like to utilize Photoshop. This time I used the Snow White Action, which I purchased from Amanda Diaz’s site. I love Diaz’s work, and, if you haven’t seen her work, I highly suggest you check her out. Since the shoot mainly revolved around Angela’s red dress and this kind of vampy look, I used the action to accentuate the red and give Angela a porcelain complexion.

The Bear Tossing Experiment

I’m not one to take myself too seriously. A good sense of humor is important in a photo shoot. I love experimenting with different ideas. Sometimes my ideas work and sometimes they don’t. The most important thing, however, is to be yourself. It’s taken me a long time to accept my quirks, but, in learning to embrace my quirks, I’ve have begun to find my own style. * This photo shoot was part of a Love/Hate editorial spread. No bears were injured on set.