When I first started doing fashion and artistic photoshoots, I struggled with posing the models. If the model was experienced, I didn’t have any issues because he/she already knew how to use her body to create certain looks. Personally, I have a difficult time posing in front of the camera, so it would also make sense that I would have a hard time explaining what I wanted from the model. This was especially true in the case when I worked with people who were uncomfortable being in front of the camera. In a boudoir photography workshop I participated in a few years ago, the teacher showed us a notebook that was filled with different types of poses. The notebook was divided into categories, such as sitting, standing, and closeup poses. I thought this was a brilliant idea, so I created my own notebook. The next time I had a shoot, instead of describing the pose, I had the model look at some examples. It worked like magic. Since then I have always brought examples to my shoots. My goal with poses is to find something that looks “natural” for the model. We’ve all seen those awkward photos […]
I have had the pleasure of working with Cathy on a few shoots. This shot was taken during a shoot where we were trying to get as many different looks in one session. In just a few hours and using only natural light, we were able to get many different looks. Being resourceful is an important skill as a photographer. I chose to shoot at my parent’s house because their backyard has interesting walls and lots of greenery, which is rare in Phoenix. Overall, the shoot was a success and we both had a lot of fun.
I’ve always struggled coming up with exciting or unique poses, and the fact that I put so much pressure on myself to suggest cool poses on the spot doesn’t help either. During the last Happy Hour shoot, I saw that the model had absolutely no problem coming up with different poses and expressions, and I decided that I should let her choose the pose and then I’ll compose the shot. Since my background is concert photography I’m more used to photographing things that are outside of my control. Unless there’s a specific look or idea that I have, I like to collaborate with the other person. In this case especially, our model, Lux Lacheln, had a lot of great ideas for poses that complemented the wardrobe and background. I think the results turned out pretty well.
Alanna is a model who I interviewed for my tattoo book. Here’s a snippet from that interview: What’s your favorite part about modeling? Everything I think. I get so excited from the moment we decide what the shoot is going to be like to what I’m going to wear and then the final product. And then I love sharing it with everybody. I think that’s why it’s become my passion and why I want it to be my career because there isn’t one thing I don’t like about it. I feel like I could go hours and hours and not tire from it. It’s just such a creative process. Because of your tattoos, do you model in a particular genre that is geared towards tattoos? No. I think I get away with a lot more loosey goosey with the genre because I fit so tightly into plus size, and they’re very open about what you look like. They want you to be trendy and spunky. So that’s the first thing they notice about me. They don’t necessarily notice the tattoos. It’s just like a cherry on top for them. I haven’t been forced to do one style.