When I was eighteen, I invented the Bisadora Hip Purse, which earned an engineering patent. Being involved in the fashion industry taught me a lot about photography. There are so many genres of photography and, in the fashion business, I learned about product, lifestyle, and editorial photography. During my time as a handbag designer, I became more involved in photography and I ended up doing a few of the photoshoots myself. Product photography taught me the importance of lighting and posing. Color accuracy is important for obvious reasons, but I also learned that the pose was just as important. I ran an online shop, and the models had to show how the purse would look on the body. In these types of photoshoots, the handbag was more important than the model. Product photography is more straight forward compared to other types of photography because the purpose is to show the product as accurately as possible. Also, there’s immediate feedback if customers feel that the website description is inaccurate. When I worked on photoshoots for marketing campaigns and social media, I learned about the importance of storytelling. Without using words, I created lifestyle shots that I felt best […]
When I first started doing fashion and artistic photoshoots, I struggled with posing the models. If the model was experienced, I didn’t have any issues because he/she already knew how to use her body to create certain looks. Personally, I have a difficult time posing in front of the camera, so it would also make sense that I would have a hard time explaining what I wanted from the model. This was especially true in the case when I worked with people who were uncomfortable being in front of the camera. In a boudoir photography workshop I participated in a few years ago, the teacher showed us a notebook that was filled with different types of poses. The notebook was divided into categories, such as sitting, standing, and closeup poses. I thought this was a brilliant idea, so I created my own notebook. The next time I had a shoot, instead of describing the pose, I had the model look at some examples. It worked like magic. Since then I have always brought examples to my shoots. My goal with poses is to find something that looks “natural” for the model. We’ve all seen those awkward photos […]
I love going to the workshops hosted by Photographers Adventure Club. These shots are from the most recent Happy Hour Shoot at Parkwood Studios. I’ve never been confident setting up lights in the studio because it requires a high level of accuracy. Lighting, according to many photographers, is the most important element to good photography. So you can imagine why I’ve found it a bit stressful. I really appreciate how PAC sets up the lights and backdrop. Even though I’m not a part of the process, I still learn a lot from watching. The models PAC brings to these workshops are also really good. Since most of my work is the realm of photojournalism, I’m not used to coming up with poses on the spot. Every model I’ve photographed through these workshops has been amazing at coming up with poses. I imagine it’s tough trying to come up with different ideas, but they never cease to amaze me. I’ve actually learned the most from models when it comes to poses because they already know what works and doesn’t work for them.